Wednesday, 20 March 2013

The Firing Line Museum

The Firing Line is a charity organisation which runs a museum in Cardiff Castle. The museum tells the story of the Welsh soldier from the year 1615 up until the present day. Some of the aims of the museum are to open up access and interactive participation for all sections of the community and ‘To establish a dedicated military museum in Cardiff which will link to the national curriculum’ (Firing Line, 2013). The museum has a dedicated education officer who runs a flexible programme for primary schools to reinforce history topics being taught as well as using history for cross curricular teaching. I was able to speak with Joanna Wenman the education officer on a recent visit to Cardiff castle and she outlined the methods used in the programmes. The most popular themes that the museum ran programmes for were; Victorian Britain, WW2, Mary Seacole and Florence Nightingale, however the museum is completely flexible and is willing to adapt to other topics depending on the needs of the school. Joanna will usually make a visit to the school in advance of their trip to the museum to meet the children and begin some of the work (for the WW2 topic she takes an evacuee briefcase containing replicas of items that an evacuee child would have carried on their journey to the country side); she stated that this makes the children more comfortable and confident when they arrive at the museum. For the Victorian Britain theme the children are given a character when they arrive at the museum with information on that person. The educational programmes are designed to be relatable to children. There is a focus on items and events that would specifically have affected children of a similar age of those visiting the museum. For example there is a large ceremonial drum on display that was carried and played by a ten year old boy leading the infantry into battle during the Crimean war.

The museum is interactive and child friendly.  If an object is not in a glass case then it is free to be played with. There is a section of the museum that contains replica military jackets, helmets and equipment for children to try on play with and I was informed that when there is a school visit a genuine musket rifle is taken out of display and the children are invited to hold it.

As well as history, the museum incorporates other curriculum subjects in its activities. During science and engineering week the museum held an event about inventions and the development and workings of military weapons. It also holds an annual art competition called ‘The Big draw’ where children are encouraged to produce a drawing concerned with a particular theme.

Eilean Hooper-Greenhill states that museums offer concrete, object based experiences which not only bring more meaning to learning but embed it for longer (Hooper-Greenhill, 2007). This is something I feel definitely takes place at the firing line museum.

History is brought to life at this museum; the children can see and touch replicas and real objects from history and can take on the role of a historical character. They are submerged in the topic they are learning about in a child friendly environment. By using role play, allowing the children to touch objects, and making the learning relatable to children the museum successfully reinforces classroom learning in an alternative environment.
 References List
Hooper-Greenhill, E., 2007. Museums and Education: Purpose, Pedagogy, Performance. Abingdon: Routledge.

Line, F., 2013. Cardiff Castle Museum. [Online] Available at: http://www.cardiffcastlemuseum.org.uk/ [Accessed 20th March 2013].

 

Thursday, 7 March 2013

Play

Play has been found to be extremely important in the social, emotional, physical and cognitive development of children (Bruce, 1996). Play is difficult to define but Macintyre (2001) outlines certain characteristics which make an activity play; it gives pleasure and is enjoyable, it does not have a prescribed goal or outcome and so can be abandoned freely and the child has chosen to participate or initiate the play.

The idea of play being incorporated into young children’s education and its importance for their development began in Germany with Friedreich Froebel. He created the first Kindergarten in 1840 after observing German peasant children playing naturally (Saracho & Spodeck, 1998). Froebel was the pioneer for play in early education and psychologists such as Piaget and Vygotsky have since emphasised its importance in their theories of children’s cognitive development (Faulkner, 1998). Mildred Parton observed children’s play in much more detail in 1932 from a more social perspective. She was able to see several different stages of play taking place. According to Parton solitary independent play often seen in children aged nought to two years old is when a child is playing alone and separately from others, parallel activity is when a child is playing beside others using the same or similar toys but not participating with others and can usually be seen in children aged two to three years old, associative play occurs at around three to four years and is when a child is participating in group play where there is no attempt for any member to direct other children, and co-operative play is when a child is participating in group play which has a set goal or end product to be achieved and where one or two members will direct or control the play and/or determine who is and is not included, this type of play will usually take place at around age four and above (Faulkner, 1998).

Play can be categorised into several different types. Active play is physical and includes things like jumping and kicking, constructive play is the child putting mental blue prints into physical form using things such as building blocks, make believe play involves imitation and using people or things as representations of other things and games with rules involve co-operative play and an understanding of the need to take your turn, obey the rules and record scores (Sheridan, 2011).

Froebel believed that ‘Play is the highest level of child development’ (Lilly 1967, p.83). Play is now recognised as an essential element of children's education. Play forms the basis for the UK’s foundation phase/stage, America’s Kindergarten, the Montessori approach and many other early years practices across the world. For most children playing comes completely naturally and does not need to be taught and this is where its benefits lie. Playing is the expression of a child’s natural curiosity to explore and make sense of their world and educational practices that exploit play to its full potential can only prove beneficial to children.

The video demonstrates children taking part in what Parton describes as co-operative play. It’s clear that the boy with black curly hair has taken on the role of leader and is attempting to direct the play and the other children.

References List

Bruce, T., 1996. Helping Young Children to Play. London: Hodder and Stoughton.

Faulkner, D., 1998. Play, Self and the Social World. In P. Barnes, ed. Personal, Social and Emotional Development of Children. Oxford: Blackwell Publishers Ltd. pp.232-85.

Lilly, I.M., 1967. Friedrich Froebel: A Selection from his Writings. New York: Cambridge University Press.

Macintyre, C., 2001. Enhancing Learning Through Play. London: David Fulton Publishers.

Saracho, O.N. & Spodeck, B., 1998. Multiple Perspectives on Play in Early Childhood. New York: State University New York Press.

Sheridan, M.D., 2011. Play in Early Childhood: From Birth to Six Years. 3rd ed. Abingdon: Routledge.